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with number 34 i begin the second year of monday songs. i hope to be a bit more consistent in 2010, in songwriting, in many things…
another in the “mind on fire” cycle. mostly speaks for itself, in that it says very little, and suggests less. and more.
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number 33. jesus’s age when he languished on the cross. the age i was when i slipped over the edge. i was well aware of the jesus connection. in fact, i had a crucifixion of my own. but that is for another monday.
the escalation to psychosis took some days, [...]
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[show note: i'm playing tonight at the pub below vios in north seattle - 65th street and 20th ave. i'm going on at 7. no cover. kids fly free. excellent food. see all you seattle-ites there. this will probably be the last show for a while.]
song twenty. it took [...]
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[show note: i'll be at the pub at vios again next monday (mar 2). i hope to be doing this once a month, maybe first monday each month. still solidifying. see you there.]
number 14. not the pink floyd song.
this little ditty was conceived as a number for a post-modern [...]
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i recorded the fifth monday song a few weeks ago, as i was preparing to launch the site. i had a few ready at the start: “ghost story,” “nadine,” “winston please,” and an up-tempo song called “and here i’m standing” i plan to premiere next week. the song i [...]
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number three.
the guts of this song - chords, melody, the phrase “it’s your birthday” - came to me a couple years ago on a family camping trip, playing it over and over by the campfire. i imagined paul mccartney singing it, solo, with an acoustic guitar, but as i [...]
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the second monday song.
when i was in junior high there was a girl named nadine in my wood shop class. at some point, the boys started taunting her: “nadine, nadine, the header machine.” i never discovered the background, but, though she disappeared before high school, she was forever etched [...]
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the first installment of monday songs.
the descending/ascending piano line came first. it suggested to me a kind of hopeful melancholy. the piano part and melody came very quickly, the result of fiddling with different accompaniment styles, in this case the piano playing the guitar, something i want to do [...]
